Daniele Cestari

Daniele Cestari

Ferrara,

1983

Bio

Daniele Cestari nasce nel 1983. Si laurea in architettura nel 2009 a Ferrara per poi dedicarsi alla pittura. La sua carriera di artista è strettamente legata ai suoi studi universitari di architettura, che ha portato a compimento con una tesi di laurea in progettazione urbanistica. In questo contesto ha sviluppato la predilezione per l’aspetto fisico della città e per il paesaggio urbano studiando pittura e fotografia. Ha realizzato mostre personali in Italia e all’estero (Boston, Londra, Amsterdam, Mykonos, Sofia, Buenos Aires).

Nel 2011 viene invitato al Padiglione regionale Emilia Romagna per la 54° esposizione internazionale d’arte della Biennale di Venezia, iniziativa speciale per il 150° Anniversario dell’unità d’Italia (catalogo a cura di Vittorio sgarbi, “Lo stato dell’arte”, regioni d’Italia, presso la sede espositiva di Reggio Emilia, Chiostri di San Pietro, Skira editore) e nel 2014 viene invitato a partecipare alla mostra “Ritratti di Città – Urban Sceneries” a cura di Flaminio Gualdoni a Villa Olmo a Como (catalogo a cura di Flaminio Gualdoni, “da Boccioni a de De Chirico, da Sironi a Merz a oggi”, Silvana editore).

Vive e lavora a Ferrara.

Artworks

News

Le città nella pittura

You do not enjoy a city for its seven or seventy-seven wonders, but for the answer it gives to a question of yours.
(Italo Calvino)

Perhaps we should start here—with a thought from a literary “giant”—to reflect on why the urban theme continues to fascinate painters and visual art enthusiasts alike.

From Canaletto’s celebrated views of Venice to Impressionist Paris, from Kirchner’s Berlin to Sironi’s Milan, city streets have spoken to us through canvases, illustrating the life of those times while simultaneously revealing the certainties or fears, anxieties and hopes of the artists communicating their worldview.

The city serves as a place of exploration where one can lose and rediscover oneself, unearthing answers to our questions amidst the straight or jagged lines of buildings and streetlamps.

Daniele Cestari, an architect by training, has made cityscapes the foundation of his artistic inquiry, yet he strips away their specific recognizability: a city is a city, and a suburban street will always evoke our own lived experiences, regardless of whether the building is actually in Ferrara or New York.

A domestic dimension of the urban landscape emerges in the work of Andrej Mussa, who loves to bring suburban vistas back to life—scenes where we can rediscover moments from our own past.

Closer to an “Impressionist” sensibility, meanwhile, are the watercolors of Joseph Zbukvic; he delights in capturing the atmosphere of the places he visits, allowing us to admire glimpses of cities across the globe. When discussing cities, one cannot overlook New York—the quintessential metropolis and an essential subject for exploration. Artists approach it in various ways: some, like Neil Douglas, analyze its architectural aspects; others, like Christian Koivumaa, are drawn to the lights of the streets and cars stalled in traffic; while others still—such as Francesca Galliani, a true New Yorker—examine the symbols and values ​​the city embodies.

We invite you to view a selection of works on this theme, in the hope that you will find the answer to your question.

Cities in paintings

You do not enjoy a city for its seven or seventy-seven wonders, but for the answer it gives to a question of yours.
(Italo Calvino)

Perhaps we should start here—with a thought from a literary "giant"—to reflect on why the urban theme continues to fascinate painters and visual art enthusiasts alike.

From Canaletto’s celebrated views of Venice to Impressionist Paris, from Kirchner’s Berlin to Sironi’s Milan, city streets have spoken to us through canvases, illustrating the life of those times while simultaneously revealing the certainties or fears, anxieties and hopes of the artists communicating their worldview.

The city serves as a place of exploration where one can lose and rediscover oneself, unearthing answers to our questions amidst the straight or jagged lines of buildings and streetlamps.

Daniele Cestari, an architect by training, has made cityscapes the foundation of his artistic inquiry, yet he strips away their specific recognizability: a city is a city, and a suburban street will always evoke our own lived experiences, regardless of whether the building is actually in Ferrara or New York.

A domestic dimension of the urban landscape emerges in the work of Andrej Mussa, who loves to bring suburban vistas back to life—scenes where we can rediscover moments from our own past.

Closer to an "Impressionist" sensibility, meanwhile, are the watercolors of Joseph Zbukvic; he delights in capturing the atmosphere of the places he visits, allowing us to admire glimpses of cities across the globe. When discussing cities, one cannot overlook New York—the quintessential metropolis and an essential subject of exploration. Some, like Neil Douglas, analyze its architectural aspects; others, like Christian Koivumaa, are drawn to the lights of the streets and cars stalled in traffic; while others still—such as Francesca Galliani, a true New Yorker—examine the symbols and values ​​the city conveys.

We invite you to view a selection of works on this theme, in the hope that you will find the answer to your question.

For more information, please provide us with your contact details.