Joseph Zbukvic

Joseph Zbukvic

Zagabria,

1952

Bio

Joseph Zbukvic ha iniziato la sua carriera artistica nel 1978 ed è in breve tempo diventato uno dei più famosi artisti australiani. Nato a Zagabria (Croazia), Joseph immigrò in Australia quando aveva 18 anni e da allora ha vinto più di 200 premi internazionali con più di 40 mostre personali a Melbourne, Sydney, Brisbane, Adelaide, Londra e San Antonio. Joseph è un artista molto abile nel creare magiche atmosfere nei suoi dipinti. Joseph è un grande sostenitore della pittura all’aria aperta, dal vivo. Il mio interesse nel dipingere ebbe inizio quando ero piccolo. Sono cresciuto in una piccola fattoria in Europa, dove ogni cosa veniva fatta manualmente ed in armonia con la natura. Credo ancora che i paesaggi prodotti da questo equilibrio siano i miei soggetti preferiti”. Joseph mostra nei suoi lavori una precisa esecuzione e una grande fedeltà al soggetto, risultato di un’ottima conoscenza del disegno, della composizione e della tecnica dell’acquerello, strumenti atti a catturare i caleidoscopici scenari della vita.

Artworks

News

Le città nella pittura

You do not enjoy a city for its seven or seventy-seven wonders, but for the answer it gives to a question of yours.
(Italo Calvino)

Perhaps we should start here—with a thought from a literary “giant”—to reflect on why the urban theme continues to fascinate painters and visual art enthusiasts alike.

From Canaletto’s celebrated views of Venice to Impressionist Paris, from Kirchner’s Berlin to Sironi’s Milan, city streets have spoken to us through canvases, illustrating the life of those times while simultaneously revealing the certainties or fears, anxieties and hopes of the artists communicating their worldview.

The city serves as a place of exploration where one can lose and rediscover oneself, unearthing answers to our questions amidst the straight or jagged lines of buildings and streetlamps.

Daniele Cestari, an architect by training, has made cityscapes the foundation of his artistic inquiry, yet he strips away their specific recognizability: a city is a city, and a suburban street will always evoke our own lived experiences, regardless of whether the building is actually in Ferrara or New York.

A domestic dimension of the urban landscape emerges in the work of Andrej Mussa, who loves to bring suburban vistas back to life—scenes where we can rediscover moments from our own past.

Closer to an “Impressionist” sensibility, meanwhile, are the watercolors of Joseph Zbukvic; he delights in capturing the atmosphere of the places he visits, allowing us to admire glimpses of cities across the globe. When discussing cities, one cannot overlook New York—the quintessential metropolis and an essential subject for exploration. Artists approach it in various ways: some, like Neil Douglas, analyze its architectural aspects; others, like Christian Koivumaa, are drawn to the lights of the streets and cars stalled in traffic; while others still—such as Francesca Galliani, a true New Yorker—examine the symbols and values ​​the city embodies.

We invite you to view a selection of works on this theme, in the hope that you will find the answer to your question.

Cities in paintings

You do not enjoy a city for its seven or seventy-seven wonders, but for the answer it gives to a question of yours.
(Italo Calvino)

Perhaps we should start here—with a thought from a literary "giant"—to reflect on why the urban theme continues to fascinate painters and visual art enthusiasts alike.

From Canaletto’s celebrated views of Venice to Impressionist Paris, from Kirchner’s Berlin to Sironi’s Milan, city streets have spoken to us through canvases, illustrating the life of those times while simultaneously revealing the certainties or fears, anxieties and hopes of the artists communicating their worldview.

The city serves as a place of exploration where one can lose and rediscover oneself, unearthing answers to our questions amidst the straight or jagged lines of buildings and streetlamps.

Daniele Cestari, an architect by training, has made cityscapes the foundation of his artistic inquiry, yet he strips away their specific recognizability: a city is a city, and a suburban street will always evoke our own lived experiences, regardless of whether the building is actually in Ferrara or New York.

A domestic dimension of the urban landscape emerges in the work of Andrej Mussa, who loves to bring suburban vistas back to life—scenes where we can rediscover moments from our own past.

Closer to an "Impressionist" sensibility, meanwhile, are the watercolors of Joseph Zbukvic; he delights in capturing the atmosphere of the places he visits, allowing us to admire glimpses of cities across the globe. When discussing cities, one cannot overlook New York—the quintessential metropolis and an essential subject of exploration. Some, like Neil Douglas, analyze its architectural aspects; others, like Christian Koivumaa, are drawn to the lights of the streets and cars stalled in traffic; while others still—such as Francesca Galliani, a true New Yorker—examine the symbols and values ​​the city conveys.

We invite you to view a selection of works on this theme, in the hope that you will find the answer to your question.

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